Chapter 8: Style & Sound- Butler, Jeremy G. "Style and Sound" In Television: Critical Methods and Applications, 227-252. 3rd ed. Mahwah, NJ: Lawrence Erlbaum Associates, Publishers, 2007.
Chapter Outline/Notes
Reminder, televisions primary economic and technological predecessor is radio, not film or theater!
Types of Television Soundcontemporary sound editing is digital, non-linear, with multiple tracks
Speech- Dialogue is the primary form of speech. Characters can "break" with normal conventions either breaking the fourth wall and talking directly to the audience and/or doing narration/voice over.
- Dubbing is when voice is recorded and added to the visual track (looping) later in the production process.
Music- Television almost always has music, especially if there is no speech/dialogue.
- Popular music is difficult due to copyright issues.
- In early television history avoided popular music due to the association with "subversive or counter-cultural elements" (p. 233).
- Except in live productions, most music is added during post-production.
Sound Effects- anything not speech or music = sound effects
Purposes of Sound on Television Capturing viewer attention.
- Due to competing distractions, television must grab viewer's attention.
Manipulating viewer understanding of the image.
- Sound and image support one another, for example laugh tracks.
- Sound and image contradict one another.
- Sound helps to emphasize select elements within the image.
Maintaining televisual flow.
Maintaining continuity within individual scenes.Acoustic Properties and Sound TechnologyGeneral Acoustic Properties- Loudness/volume
- Pitch
- Timbre/tone
TV-Specific Acoustic Properties- Digital vs. Analog
- Digital has less background noise
- Digital has a larger dynamic range
- Digital has a greater frequency response
- Sound Perspective and Directionality
Space, Time, and Narrative- Sound and space--sound helps construct a larger world outside what we see on the screen
- Sound and time--sound can be earlier, simultaneous, or later than the image
- Diegetic and Nondiegetic sound--sound either a part of the "world" of the television show, or not related (like "mood" music)
Terms/Concepts to Know
- speech
- music
- sound effects
- tracks
- dialogue
- narration
- voice over
- dubbed
- looping
- subtitled
- copyright
- master rights
- public domain
- intellectual property
- lip sync
- ambient sound
- Foley
- laugh track
- sweetening
- fade out
- fade in
- cross-fade
- segue
- loudness
- volume
- pitch
- timbre
- tone
- digital
- analog
- dynamic range
- frequency response
- sound perspective
- overhead boom
- lavaliere
- hand-held
- close-miking
- diegetic space
Related Course Outcomes
- Describe the functions and artistic responsibilities of each of the major members of a television crew. (1. Television Crew)--descriptions of different people who help with sound production
- Describe and apply principles of aesthetics used in the critical analysis of a television show.(2. Aesthetics)--how/why sound functions in the narrative development of TV shows.
- Identify the technical elements of a TV show and explain how those elements are used to stimulate different emotional responses from the audience and to illuminate the lives of the characters. (3. Technical Elements)--description of how sounds engage viewer's actions and emotions
- Describe the use of live drama, vaudeville, radio, and movies as sources of material in early television advertising. (10. TV Advertising History)--impact of Radio's history on the importance of sound in TV
- Describe programming strategies for success in commercial television and non-commercial programming. (13. Programming Strategies)--using sound to grab/keep viewers' attention.
Examples to Watch & Discuss